Leonardo, Raffaello and Michelangelo were the promoters of a new form of art; a universal
art, above the horizons of the imagination itself. They materialized in images a superior
art, where dreams and expectations fill the mind of the observer, in an unconscious
desire of interpretation of details, with unrealistic, and at the same time touchable
feeling, to possess that painting, that situation, and those emotions. In front of
their masterpieces, everybody, from different countries and cultures, gets involved,
without intention, in the world and situations represented by the artist. The observer
became a protagonist of the scene. It is a sensation unique, not possible to repeat
observing other paintings. Does this personal travel into the depth of our psyche
derives from a spontaneous admiration of the painting, or is it dictated by the wish
of the artist?
Keywords
To read this article in full you will need to make a payment
Purchase one-time access:
Academic and PersonalOne-time access price info
- For academic or personal research use, select 'Academic and Personal'
- For corporate R&D use, select 'Corporate R&D Professionals'
Subscribe:
Subscribe to European Journal of Internal MedicineAlready a print subscriber? Claim online access
Already an online subscriber? Sign in
Register: Create an account
Institutional Access: Sign in to ScienceDirect
References
- Leonardo.in: Geni dell'Arte. Mondatori, Milano2007
- The life and times of Leonardo.Paul Hamlin, London1967
- Vita dei più eccellenti pittori, scultori ed architetti italiani, da Cimabue insino i giorni nostri.Lorenzo Tormentino Ed, Florence1550
- Anatomy and physiology by Leonardo: the hidden revolution?.Surgery. 2016;
- The revolutionary studies on blood circulation by Leonardo were too advanced for his times to be published.J Vasc Surg. 2015; 52: 259-263
- The influence of the stroke suffered by Leonardo in his last paintings: a pioneer of psychoanalysis?.Eur J Intern Med. 2016; 33: e7-e8
Article Info
Publication History
Published online: October 15, 2016
Accepted:
October 4,
2016
Received:
September 29,
2016
Footnotes
☆No fund was received for this work.
☆☆The author has no conflicts of interest to disclose.
Identification
Copyright
© 2016 European Federation of Internal Medicine. Published by Elsevier B.V. All rights reserved.
